Metroville was once flooded with superheroes saving the day. One of the greatest was Mr. Incredible, who found himself annoyed by the young chatterbox fanatic of his, Buddy Pine, who referred to himself as 'Incrediboy.' As Mr. Incredible fought crime, he met another legendary hero, Elastigirl and the two superheroes wed. Shortly afterward, a string of lawsuits banned superheroes from ever saving the day again!

15 years later, Mr. Incredible, now known as Bob Parr is itching to become a superhero again. Mrs. Incredible, or Helen Parr, is trying to persuade him not to. Their son, Dash, who has the ability to run extremely quickly, wants to try out for sports, but he can't because of his powers being revealed. Violet, the Parr's daughter, wants to be normal and fit in as a teen. And the baby, Jack-Jack is only itching for a good time.

Then, Bob hears about a top secret assignment regarding a powerful machine attacking Nomanisan Island. Thinking this is his way to become a superhero again, Bob accepts and yet again becomes Mr. Incredible... however, this anonymous villain has a grudge.

Real-estate agent Jim Evers (Eddie Murphy) is given the task of shifting Gracey Manor, a delapidated old house in New Orleans, and decides to visit it with his family.

When they arrive, however, they come face-to-face with 999 grim, grinning ghosts who are not too keen on sharing their space with mortals.

With the help of supernatural psychic Madame Leota (Jennifer Tilly), the family must battle to break the mansion's curse before the clock strikes 13.

Children's animated short following the gang from Pixar's 'Toy Story' film series as they go on a new adventure. Woody (voice of Tom Hanks), Buzz (Tim Allen), Jessie (Joan Cusack), Rex (Wallace Shawn) and Mr. Potato Head (Don Rickles), along with new friends Mr. Pricklepants (Timothy Dalton) and Trixie (Kristen Schaal), find themselves at a mysterious motel overnight after their owner Bonnie (Emily Hahn) and her mother experience car trouble. When Mr. Potato Head goes missing the rest of the toys go on a mission to find him but will they all make it safely back to Bonnie by morning?

Festive-themed animated short from the 'Toy Story' franchise. Shortly after Christmas Bonnie (voice of Emily Hahn) goes to visit her friend Mason (R.C. Cope) for a play date, taking her toys Woody (Tom Hanks), Buzz (Tim Allen), Trixie (Kristen Schaal), Rex (Wallace Shawn) and Angel Kitty (Emma Hudak) with her. When Bonnie sets them aside and goes off to play Mason's new game console the toys discover the boy's dinosaur action figures called The Battlesaurs. However, it becomes clear that The Battlesaurs aren't aware they are toys when Woody and Buzz are forced to do battle against their leader Reptilius Maximus (Kevin McKidd). With her friends in danger it is left to Trixie to save the day...

Third instalment in the Pixar/Disney CGI-animated series, filmed for theatrical release using Disney Digital 3D. When their owner, Andy (voiced by John Morris), clears out his bedroom in preparation for starting college, Woody (Tom Hanks), Buzz (Tim Allen) and the rest of the toy-box gang are dumped in the donations box at a local nursery school and find themselves at the mercy of a horde of wild, sticky-fingered toddlers. As they struggle to stay together while coping with the chaos, the gang meet a new bunch of toys led by pink teddy bear Lotso (Ned Beatty), while Barbie (Jodie Benson) is at last united with her male counterpart, Ken (Michael Keaton). The yearning to return home cannot be ignored, however, and many comical adventures ensue as the toys make a series of elaborate escape attempts. The film won Academy Awards for Best Animated Feature Film and Music (Original Song).

This sequel to 'Toy Story' sees pull-string cowboy Woody (voiced by Tom Hanks) kidnapped by toy collector Al, who plans to sell him to a Japanese toy museum. Assisted by Mr Potato Head, Slinky Dog and Rex the Dinosaur, action figure Buzz Lightyear (Tim Allen) sets off to the rescue, but when they get to Al's store Buzz is mistakenly boxed up and his place taken by a new, flashier Lightyear model - complete with utility belt! Meanwhile, Woody has discovered that he was once the star of a popular children's television show, and is no longer sure he wants to return to Andy's toy cupboard.

Animated comedy featuring the voices of Patrick Stewart, Zach Braff and Joan Cusack. After Chicken Little (Braff) causes widespread panic when he mistakes a falling acorn for a piece of the sky, the young chicken is determined to restore his reputation. But just as things are starting to go his way, a real piece of the sky lands on his head. Chicken Little and his band of misfit friends, Abby Mallard (Cusack), Runt of the Litter (Steve Zahn) and Fish Out of Water (Dan Molina), attempt to save the world without sending the town into a whole new panic.

"The play nicely combines Pinterian menace with caustic political commentary." -"Time"

"Acerbic, elusive, poetic and chilling, the writing is demanding in a rarefied manner. Its implications are both affecting and disturbing." -"Los Angeles Times"

"In his exquisitely written dramatic lament for the decline of high culture. . . . Shawn] offers a definition of the self that should rattle the defenses of intellectual snobs everywhere." -"The New York Times"

Writer and performer Wallace Shawn's landmark 1996 play features three characters--a respected poet, his daughter, and her English-professor husband--suspected of subversion in a world where culture has come under the control of the ruling oligarchy. Told through three interwoven monologues, the Orwellian political story is recounted alongside the visceral dissolution of a marriage. The play debuted at the Royal National Theatre in London, in a production directed by David Hare, who also directed the film version, starring Mike Nichols and Miranda Richardson. The play's subsequent New York premiere was staged in a long-abandoned men's club in lower Manhattan, directed by Shawn's longtime collaborator Andre Gregory.

Wallace Shawn is the author of "Our Late Night" (OBIE Award for Best Play), "Marie and Bruce," "Aunt Dan and Lemon," "The Fever," and the screenplay for "My Dinner with Andre." His most recent play, "Grasses of a Thousand Colors," premiered last year in London.

"Lovely, hilarious, and seriously thought-provoking." TONI MORRISON "Endlessly curious, playful, and subtle." PANKAJ MISHRA SLEEPING AMONG SHEEP UNDER A STARRY SKY is a collection of essays written over the course of the last thirty-five years. Shawn seems to start from the premise that the world ought to be a place where all of us can lie around on cushions writing letters and love poems to each other on multi-coloured paper, as perhaps the women and men of the eleventh-century Heian court in Japan were able to do. Why do we not inhabit a world in which beauty, sensuality, and the adoration of other people, other beings, and the natural world are our principal preoccupations? Why, instead, are we obsessed with a joyless struggle for supremacy over each other? Why have we invented races and nations? Is what we call "civilization" the precipitating cause of our destructiveness and viciousness, our sadism, our love of murder? Shawn himself grew up as a child of privilege and has devoted his life to aesthetic pursuits and hedonism. Has the life he's led provided him with any sort of valuable vantage point from which to view the world, or has he simply been a parasite? As he himself feels that the answer isn't clear, a certain self-questioning underlies these essays, along with a nagging doubt about whether we're right to insist that all of our different qualities and aspects cohere into a single "self." If the self is simply an illusion, how can we understand "ourselves"? And if we don't understand ourselves, what conclusions should we draw from that?

"Pictures and Progress "explores how, during the nineteenth century and the early twentieth, prominent African American intellectuals and activists understood photography's power to shape perceptions about race and employed the new medium in their quest for social and political justice. They sought both to counter widely circulating racist imagery and to use self-representation as a means of empowerment. In this collection of essays, scholars from various disciplines consider figures including Frederick Douglass, Sojourner Truth, Ida B. Wells, Paul Laurence Dunbar, and W. E. B. Du Bois as important and innovative theorists and practitioners of photography. In addition, brief interpretive essays, or "snapshots," highlight and analyze the work of four early African American photographers. Featuring more than seventy images, "Pictures and Progress" brings to light the wide-ranging practices of early African American photography, as well as the effects of photography on racialized thinking.

"Contributors." Michael A. Chaney, Cheryl Finley, P. Gabrielle Foreman, Ginger Hill, Leigh Raiford, Augusta Rohrbach, Ray Sapirstein, Suzanne N. Schneider, Shawn Michelle Smith, Laura Wexler, Maurice O. Wallace

In a gloomy hotel room, after reading compulsively about murders, Shawn tries to sleep but is troubled by meandering thoughts and memories that follow one another in an apparently random chain. Ultimately a point of view begins to emerge. In a world dominated by privileged killers, how should we live? What world do we want? Having recently passed the age of seventy, before which he found it difficult to piece together more than a few fragments of understanding, Shawn would like to pass on anything he's learned before death or dementia close down the brief window available to him, but he may not be ready yet.

Winner of the 1991 Obie Award for Best Play and soon to be a film starring Vanessa Redgrave, The Fever has been called "a starkly written, harrowing journey into the] dark night of the soul that is as searing on the page as it is on the stage" (Booklist). While visiting a poverty-stricken country far from home, the unnamed narrator of The Fever is forced to witness the political persecution occurring just beyond a hotel window. In examining a life of comfort and relative privilege, the narrator reveals, "I always say to my friends, We should be glad to be alive. We should celebrate life. We should understand that life is wonderful." But how does one celebrate life--take pleasure in beauty, for instance--while slowly becoming aware that the poverty and oppression of other human beings are a direct consequence of one's own pleasurable life? In a coruscating monologue, The Fever is most of all an eloquent meditation on whether it is possible to live in an ethical relationship with others in the world.

In these beautiful essays, Wallace Shawn takes us on a revelatory journey in which the personal and political become one. Whether writing about the genesis of his plays, such as Aunt Dan and Lemon; discussing how the privileged world of arts and letters takes for granted the work of the unobtrusives, the people who serve our food and deliver our mail; or describing his upbringing in the sheltered world of Manhattan's cultural elite, Shawn reveals a unique ability to step back from the appearance of things to explore their deeper social meanings. He grasps contradictions, even when unpleasant, and challenges us to look, as he does, at our own behavior in a more honest light. He also finds the pathos in the political and personal challenges of everyday life. With a sharp wit, remarkable attention to detail, and the same acumen as a writer of prose as he is a playwright, Shawn invites us to look at the world with new eyes, the better to understand-and change it.

Final Edition is a one-issue-only political magazine written by people who are aesthetes and literary writers and edited by Wallace Shawn, who seriously believes that part of our national problem is that the people who run the country have a crude and minimal imaginative life and are too little acquainted with the quartets of Beethoven.
The issue consists of five pieces:
"Before the Election--Fragments from a Diary 2004" by Wallace Shawn The diarist broods on the analogy between the addiction to pornography and nationalistic obsessions, and he wonders whether a collection of people who vote in a kind of sleepwalking ignorance can ever be called a democracy.
"Invitation to a Degraded World" by Jonathan Schell In this essay, Schell meditates on the comic book/disaster movie view of life, in which bin Laden and George Bush are both immersed, and discusses the "standing army" stationed in all of our homes, the media.
"The Webern Variations" by Mark Strand Strand's hauntingly delicious poem explores what is most poignantly beautiful, while exploring the themes of darkness, descent, decline, and nothingness.
Wallace Shawn Interviews Noam Chomsky For those with no acquaintance with Chomsky, this could make a wonderful introduction, while offering surprising insights to those who know him well. Chomsky is electric with vitality, wit, and rage as he ranges ferociously across the present and ancient worlds, giving his thoughts on the development of the internet, the 2004 election, and the God of the Bible. In an odd way, the interview highlights the inspirational and optimistic quality of this enormously angry man.
"The Twilight of the Superheroes" by Deborah Eisenberg In this brooding, passionate, and brilliant short story, Deborah Eisenberg paints a brutally honest portrait of New York City today and of our lives today, wherever we live. Through observing the lives of some sophisticated residents of the great metropolis, we encounter truths which are both poetic and deeply political.

With his distinctive brand of humour and insight, acclaimed playwright and beloved actor Wallace Shawn takes his readers on a revelatory journey through high art, war, culture, politics and privilege with his first non-fiction collection, which received immense critical acclaim when published in hardback in 2009. The personal and the political become one. Shawn often focuses on contradictions, even when unpleasant, and finds humour in the political and personal challenges of everyday life.

Aunt Dan & Lemon takes us into the world of a young recluse named Lemon (alias Leonora) who spends her nights reading chronicles of Nazi atrocities. Lemon tells the audience about the overwhelming influence in her life of her parents' friend "Aunt Dan," an eccentric, passionate professor whose stories and seductive opinions enthrall Lemon from the time she is a young girl. The relationship that develops between Lemon and Aunt Dan and the conversations that went on in a small house on the bottom of an English garden form the focus of this play about political orientation and the allure of certain ideas-even if they lead to murder. A forceful play exposing the banality of society's evil, Aunt Dan & Lemon explores the ease with which good and bad become reconciled in the human mind.